The television landscape is a Cancellation Week 23 Predictions, churning sea of speculation, where fans and industry insiders alike hang on every announcement from the major networks. For decades, CBS has stood as a pillar of broadcast television, known for its stable of procedurals, sturdy comedies, and reality titans. But even the most steadfast network must make tough decisions each spring as the upfront presentations—where networks unveil their fall schedules to advertisers—loom large. This is where the high-stakes game of renewal and cancellation predictions becomes a full-time obsession for many. Enter the specific, nail-biting period known as “Week 23.” In the TV industry calendar, Week 23 typically falls in late May, just as the traditional broadcast season wraps and networks finalize their plans. Our focus here is on crafting the most informed, nuanced, and engaging CBS renewals and cancellation Week 23 predictions possible. This isn’t just about guessing; it’s about understanding a complex matrix of ratings, demographics, production costs, international sales, streaming performance on Paramount+, and overall network strategy. We’re about to dive deep into the bubble shows, the sure bets, and the heartbreak candidates, providing you with a comprehensive forecast that goes beyond the numbers to read the tea leaves of television’s future.
Understanding the CBS Renewal and Cancellation Week 23 Predictions Ecosystem
To make any sense of our CBS renewals and cancellation Week 23 predictions, you first need to grasp the multi-layered chessboard that network executives play on. CBS, often dubbed the “Most Watched Network,” operates on a different set of priorities compared to, say, a fledgling streaming service. Its lifeblood is linear, live-plus-same-day, and most importantly, live-plus-seven-day ratings, especially in the key advertising demographic of adults aged 18-49. However, in the modern era, these traditional metrics are no longer the sole dictators of fate.
A shoCancellation Week 23 Predictions on Paramount+ is increasingly critical. Does a series drive subscriptions or generate significant streaming viewership after its linear airing? This “multi-platform viewership” can save a show with middling broadcast numbers. Then there’s the financial structure. Does CBS own the show outright through CBS Studios? If so, they profit from international and domestic syndication, making a modestly rated show more valuable. A show produced by an outside studio, however, might need stronger ratings to justify the licensing fee. Affordability matters, too; a cheaper show can survive on lower ratings, while an expensive drama with a large cast and heavy effects needs to be a hit. Lastly, there’s the strategic angle. Does the show fill a niche? Does it bring prestige or awards potential? All these factors simmer in the pot as we approach the decisive Cancellation Week 23 Predictions period.
The calendar is also a key player. By Week 23, the regular season has concluded. Pilots for potential new series have been shot and tested. The network has a full year’s worth of data on every show. Executives are holed up in scheduling meetings, literally moving tiles around on a board to build the fall and midseason lineup. The public announcements for CBS renewals and Cancellation Week 23 Predictions come in a flurry, often clustered in this late-May window. Some decisions are easy and come early—think staples like NCIS or Young Sheldon (while it lasted). The true suspense lies with the “bubble shows,” tho carry the most weight and generate the most passionate debate among fans.
The Surefire Bets: Shows That Are Undeniably Safe
Before we wade into the murky waters of bubble territory, let’s establish the solid ground. CBS has a roster of veterans and newer hits that sleep soundly at night, utterly unconcerned with Cancellation Week 23 Predictions. These shows are the engine of the network, and their renewal is a foregone conclusion long before Week 23 rolls around.
At the top of the list sits the ever-expanding NCIS universe. The mothership, now sailing on without Mark Harmon, continues to command massive total viewer numbers that are the envy of broadcast TV. NCIS: Hawai’i has cemented itself as a reliable performer. These shows are not just programs; they are global brands with immense syndication value. Similarly, the FBI trilogy—FBI, FBI: Most Wanted, and FBI: International—forms a Tuesday night wall of procedural might. Producer Dick Wolf has a legendary track record, and these series deliver consistent demographics and storytelling that CBS viewers crave. It would be unthinkable for any of these to appear on a cancellation list. Cancellation Week 23 Predictions
In comedy, while the landscape has shifted, a show like Ghosts became an unqualified smash hit. Its unique premise, broad appeal, and strong live+7 boosts made it the cornerstone of CBS’s comedy revival. Even with its UK inspiration ending, the American version has a clear path forward. On the unscripted side, the pillars are granite-solid. Survivor and The Amazing Race are inexpensive to produce (relative to scripted drama), have dedicated fanbases, and fill scheduling holes reliably. 60 Minutes is an American institution. These shows transcend typical renewal cycles; they are permanent fixtures until the producers decide otherwise. When we make our CBS renew can Cancellation Week 23 Predictions we can allocate exactly zero mental energy to these titans. They are the foundation upon which the rest of the schedule is built.
The Bubble Bath: Analyzing CBS’s Most Uncertain Shows
This is where the real fun and anxiety begin. The bubble shows are the primary focus of any serious Cancellation Week 23 Predictions article. For the current season, several CBS series found themselves in this precarious, sweat-inducing position. Their fates are determined by a razor-thin margin of factors that executives must weigh.
Let’s consider a show like So Help Me Todd. It charmed critics and developed a loyal fanbase with its mother-son detective dynamic. Its ratings in the live+same day category were never spectacular, often hovering around a 0.3-0.4 in the 18-49 demo. However, it consistently showed significant growth in live+7 playback and performed very well on Paramount+. This is the classic bubble profile: weak in the “overnights” but strong in the metrics that modern networks care increasingly about. Its future hinged on whether CBS valued that multi-platform engagement enough to give it another season. Similarly, a drama like The Equalizer, starring Queen Latifah, presents a different case. It draws huge total viewer numbers—often winning its Sunday night in that count—but its demographic rating is softer. For a network like CBS that still thrives on total viewers, this can be enough, but the show is also reportedly expensive to produce. The calculus involves whether the ad revenue from those millions of viewers outweighs the high Cancellation Week 23 Predictions cost.
Even shows that seem stable can find themselves in bubble discussions due to external factors. A long-running procedural with an aging cast facing contract renegotiations can suddenly become a financial question mark. A freshman series that opened soft but showed slight growth might be given a second chance if the network lacks strong pilots in the pipeline. Conversely, a show that started strong but faded quickly might be cut loose despite a decent premiere. The CBS renew Cancellation Week 23 Predictions for these bubble shows require looking at the complete picture: a blend of traditional ratings, streaming data, cost, ownership, critical reception, and the network’s overall development slate. It’s a high-stakes puzzle where one piece can change the entire outlook.
The Impact of Paramount+ on Renewal Decisions
No analysis of CBS renew Cancellation Week 23 Predictions can be complete in 2024 without a dedicated deep dive into the streaming factor. Paramount+ is no longer a secondary concern for CBS; it is a central pillar of the parent company’s strategy. The performance of a CBS show on Paramount+ can single-handedly alter its destiny.
The model is often called “the halo effect.” A show airs on CBS linear television, then its new episodes drop on Paramount+ the next day. The network then closely monitors how many people stream it, how quickly they binge it, and whether the show brings new subscribers to the platform. For some series, the linear audience is almost a launchpad for the much larger streaming audience. This is particularly true for genre shows and serialized dramas that appeal to younger demographics who have largely abandoned appointment viewing. A perfect example was SEAL Team, which moved to Paramount+ for original seasons after starting on CBS. Its linear ratings had dipped, but its passionate, streaming-friendly audience made it more valuable on the direct-to-consumer platform.
When making Cancellation Week 23 Predictions, we must now ask: Is this show a streaming asset? Does it have “binge appeal”? Shows with complex mythology or dense character arcs often perform better in streaming environments where viewers can watch multiple episodes in a row. CBS executives now have dashboards showing not just Nielsen numbers, but Parrot Analytics demand expressions, completion rates on Paramount+, and social media buzz generated by streaming viewers. A show that ranks in the top 10 most-watched titles on Paramount+ in the days after its linear airing sends a powerful signal to the renewal committee. In some cases, a cancellation of a modest linear performer might spark fan outrage, but if that show isn’t driving meaningful streaming engagement, the network may stay the course. The inverse is also true: a show might be saved because it’s a top performer on the app, making it a key piece of the digital content library. The integration of linear and streaming is now the most critical variable in the Cancellation Week 23 Predictions equation.
How International Sales and Syndication Value Play a Role
Beyond the immediate U.S. ratings and streaming numbers, there’s a massive financial world operating behind the scenes that heavily influences our CBS renew Cancellation Week 23 Predictions. This is the world of international licensing and domestic syndication. For the parent company, Paramount Global, a television show is a global content asset, and its profitability can extend far beyond the advertising dollars earned on Tuesday night at 9 p.m.
Shows produced in-house by CBS Studios are particularly significant here. WhenCancellation Week 23 Predictions owns the show, every dollar earned from selling it to networks in the UK, Canada, Australia, and beyond is pure profit for the corporation. Furthermore, once a show reaches a magic number of episodes—typically around 80-100—it becomes highly attractive for domestic syndication, where cable networks or local stations buy the rights to air reruns. This back-end revenue is where studios can make hundreds of millions of dollars. A show like NCIS is a syndication goldmine. Therefore, a newer CBS Studios-produced show that is hovering on the bubble might get an extra season or two solely to push it closer to that syndication threshold, ensuring a long-term revenue stream that dwarfs its initial linear performance.
On the flip side, a show produced by an outside studio, like Sony or Universal Television, comes with a licensing fee. CBS pays that fee to air the show. If the ratings are mediocre, the network might be losing money on the deal, as the ad revenue doesn’t cover the cost. In this case, even if the show has a vocal fanbase, the financials might dictate a cancellation. When we refine our Cancellation Week 23 Predictions, we must consider trade publications’ reports on who owns the show. A CBS Studios show with middling ratings has a much higher survival chance than a similarly rated show from an outside studio. It’s a cold, hard business calculation. The international appeal of the genre also matters. Crime procedurals and FBI-style dramas travel exceptionally well globally, adding another layer of security for shows in that vein. This complex web of backend economics is a decisive factor that executives consider right up to Week 23.
The Freshman Class: Which New Shows Will Make the Cut?
Every fall, CBS introduces new shows with hope and hefty marketing budgets. By Week 23 of their first season, their fate is usually clear. Analyzing the freshman class is a crucial part of our CBS renew Cancellation Week 23 Predictions, as it reveals the network’s confidence in its own development and points to future scheduling strategies.
A new show’s trajectory is telling. Did it premiere strongly and hold its audience? Did it lose a significant percentage of its lead-in? More importantly, did it show stability? Networks hate downward trends. A show that starts at a 0.5 demo rating and stays there for 15 episodes is often more valuable than a show that premieres at a 0.7 but erodes to a 0.4. Consistency suggests a reliable, if not massive, audience. For instance, a show like Tracker, starring Justin Hartley, was a clear winner from its post-Super Bowl launch. It held onto huge sample audiences and settled in as a Sunday night ratings leader. Its renewal was announced very early, taking it out of the Cancellation Week 23 Predictions conversation entirely. It’s a new tentpole.
But for every Tracker, there are shows that struggle. A midseason replacement that fails to gain traction, or a Friday night show that sinks to low numbers, faces an uphill battle. CBS might consider giving a borderline freshman a second season if it believes the show had a tough time slot or confusing marketing and that the concept has potential. However, with a robust development slate of new pilots vying for a spot, the competition is fierce. Often, a bubble freshman isn’t just competing against its own ratings; it’s competing against a shiny new pilot that the network’s executives are excited about. The decision becomes: Do we give this underperforming known quantity another chance, or do we roll the dice on a new idea? These are the tough calls that get made in the days leading up to the Cancellation Week 23 Predictions announcement frenzy.
The Role of Critical Acclaim and Awards Buzz
In the ruthless world of broadcast television, ratings and revenue typically rule. However, to dismiss the power of prestige would be a mistake, even for a network like CBS, which is often perceived as commercially focused. Critical acclaim and awards potential form a subtle but sometimes decisive undercurrent in the Cancellation Week 23 Predictions process.
A show that wins awards or generates significant positive press from influential critics becomes an asset for the network’s brand. It allows CBS to say it’s not just about mass appeal; it’s also about quality. This is especially true in the era of “Peak TV,” where cultural Cancellation Week 23 Predictions matters. A critically adored show might have softer ratings but attract a more upscale, educated demographic that advertisers pay a premium to reach. Think of a series like The Good Wife in its heyday. It brought Emmy wins and prestige to the network, justifying its place on the schedule even as its ratings were solid but not blockbuster.
For a bubble show, a handful of key award nominations—Emmy, Golden Globe, or even Critics’ Choice—can be a lifeline. It gives the network a compelling narrative to present to advertisers during the upfronts: “We don’t just have hits; we have celebrated, award-winning programming.” This can be particularly persuasive for a show that is a co-production with a streaming service or has an A-list star attached. However, it’s crucial to temper expectations. Prestige alone rarely saves a show with abysmal ratings. But when a show is firmly on the bubble, and the decision is 50/50 based on the numbers, that critical cachet can be the tiebreaker that leads to a surprise renewal announcement during Cancellation Week 23 Predictions. It adds a layer of unpredictability and hope for fans of shows that are more beloved by critics than by the Nielsen households.
Predicting the Unpredictable: The Wildcards of the Process
Just when you think you have the formula for perfect CBS renew Cancellation Week 23 Predictions nailed down, the network throws a curveball. These are the wildcard factors—unforeseen events, industry trends, or sudden strategic pivots that can upend all logical forecasts.
One major wildcard is a sudden change in corporate leadership or strategy. If a new network president comes in, they might want to clear the deck to make their own mark, leading to more cancellations than anticipated. A corporate mandate from Paramount Global to cut costs across the board can instantly doom expensive bubble shows. Another wildcard is talent-related. A star’s desire to leave a show can force a Cancellation Week 23 Predictions even if the ratings are healthy. Conversely, a star’s passionate advocacy and willingness to take a pay cut can save a show. A shocking real-world event could also make the subject matter of a particular drama feel suddenly insensitive or, alternatively, incredibly relevant.
There’s also the “hometown hero” factor. CBS is known for its procedural formula, but it occasionally takes a flier on a unique genre show. The performance of similar genre shows on streaming can impact these decisions. If sci-fi is booming on Paramount+, a bubble sci-fi show on CBS might get more leeway. Furthermore, the performance of new pilots is a huge unknown until very late in the process. If CBS’s drama pilots test poorly, they might be forced to renew a bubble drama they were planning to cancel, simply to fill a schedule hole. These unpredictable elements are what make the final week before the upfronts so tense and why even the most expert Cancellation Week 23 Predictions must come with a caveat: in television, nothing is truly certain until the official press release hits the wire.
A Comparative Look: CBS vs. Other Networks’ Renewal Strategies
To fully contextualize our CBS renew Cancellation Week 23 Predictions, it’s helpful to briefly compare CBS’s approach to that of its broadcast rivals. This contrast highlights why CBS shows often have different renewal thresholds and why its schedule feels more stable year-to-year.
CBS, with its older-skewing and broad audience, traditionally values Cancellation Week 23 Predictions and total viewers above all else. Its shows are built to last, with familiar formulas and dependable characters. ABC, while also broad, places a heavier emphasis on the 18-49 demographic and often leans into soapy dramas and family comedies. NBC, especially with its legacy of Must-See TV, invests heavily in both broad comedy and Dick Wolf’s Chicago franchise, but its ratings thresholds for renewal can sometimes be lower as it balances its linear network with Peacock’s needs. Fox, with a smaller schedule, often takes bigger swings on genre (like The Cleaning Lady) and relies heavily on animation and unscripted sports-adjacent programming.
The key difference lies in panic levels. CBS can afford to be patient with a show showing modest growth on streaming. A network like The CW, in its new non-scripted iteration, has a completely different business model based on inexpensive, acquired, and unscripted content. When making Cancellation Week 23 Predictions for CBS, we operate in a realm of moderate, calculated risks. The network rarely engages in mass cancellations. It prefers gradual evolution. This means a bubble show on CBS might have a slightly better chance of survival than a similarly rated show on a network undergoing a more aggressive transformation. Understanding this conservative, viewer-retention-focused mindset is essential for accurate forecasting. CBS is the steady ship in the turbulent broadcast seas, and its renewal decisions reflect that foundational principle.
The Fan Factor: How Audience Campaigns Influence Decisions
In the age of social media, fan campaigns have become a visible and sometimes potent force in the renewal and cancellation conversation. While it’s unlikely that a hashtag alone will save a show with catastrophically low ratings, for bubble shows, organized fan sentiment can be a real factor in our CBS renew Cancellation Week 23 Predictions
Networks are acutely aware of social media chatter. A dedicated, vocal fanbase demonstrates that a show, even with limited reach, has a passionate core audience that advertisers might find attractive. Fans who launch coordinated campaigns—mailing items to network heads, buying billboards in Times Square, trending hashtags for days—are sending a message of engagement. This proves the show has cultural resonance beyond the raw Nielsen numbers. For a show like S.W.A.T., which was famously canceled and then uncanceled, the fan outcry was a significant part of the reversal narrative, though it was likely coupled with favorable new financial terms. Cancellation Week 23 Predictions
However, it’s critical to understand the limitations. A few thousand tweets are not equivalent to millions of viewers or a strong streaming performance. Network executives look at fan campaigns as one data point among many, often weighing them against the cost of production and the opportunity cost of keeping a low-rated show on the air versus trying a new one. The most effective campaigns are those that also demonstrate the show’s financial viability—fans promoting Paramount+ viewership, buying merchandise, or proving they are in a desirable demographic. When we issue our final Cancellation Week 23 Predictions, we consider whether a show has this kind of mobilized fan support, as it can tip the scales in a true 50/50 bubble situation. It adds a human, emotional element to the otherwise clinical business decision-making process.
The Final Countdown: Synthesizing Data for Cancellation Week 23 Predictions Forecasts
As we approach the hypothetical Week 23, all the threads we’ve discussed must be woven together into a coherent forecast. This is the synthesis stage of creating our CBS renew Cancellation Week 23 Predictions. It involves taking the quantitative data (ratings, streaming metrics), the qualitative factors (critical praise, fan campaigns), and the business realities (cost, ownership, international sales) and merging them into a final, reasoned prediction for each show on the bubble.
Let’s walk through a hypothetical synthesis for a show we’ll call “Metro PD.” It averages a 0.4 demo rating live+same day but jumps 150% in live+7 to a 1.0. It’s consistently a top-5 most-streamed CBS show on Paramount+ in the week after airing. It is Cancellation Week 23 Predictions by CBS Studios, has solid international sales, and has a loyal, albeit niche, fanbase that is very active online. However, it’s expensive due to location shooting, and CBS has a very strong police procedural pilot in development. The prediction becomes a tense call. The strong multi-platform performance and ownership are huge points in its favor. The cost and competitive pilot are points against. The decision may come down to whether CBS believes the new pilot is a surefire hit or if they prefer the known quantity of “Metro PD” that is already a proven streaming asset.
This nuanced analysis, repeated for every single bubble show, is the essence of expert Cancellation Week 23 Predictions. It’s not guesswork; it’s informed speculation based on pattern recognition, industry reporting, and an understanding of the network’s historical behavior. The final days involve scanning for trade leaks, monitoring if stars are opting for another season, and seeing if the network starts quietly pulling episodes from production. These are the telltale signs that the decisions have been made and the announcements are imminent. Our final predictions represent the most logical outcome based on the totality of available information as the clock ticks down to CBS’s upfront presentation.
Looking Beyond Cancellation Week 23 Predictions: The Future of CBS’s Programming Strategy
Our deep dive into CBS renew Cancellation Week 23 Predictions isn’t just about one season; it’s a lens through which we can see the future trajectory of the network itself. The patterns that emerge from this year’s decisions will inform next year’s bubble shows and signal where CBS is heading in the evolving media landscape.
The increasing symbiosis with Paramount+ is the single biggest takeaway. We can expect future CBS shows to be developed with streaming in mind from day one—more serialized storytelling, perhaps shorter episode orders, and concepts that play well to binge-watching. The traditional 22-episode, standalone procedural will likely remain a core part of the lineup, but its companion shows might be more hybrid in nature. Furthermore, we may see more experiments with release strategies, like dropping the back half of a season on Paramount+ after a linear midseason finale, a tactic used by other networks.
CBS will also likely continue to nurture its existing franchises while cautiously introducing new ones. The success of Tracker proves they can still launch a mainstream hit. The careful handling of bubble shows like So Help Me Todd indicates a willingness to support shows with strong streaming and delayed viewing, even if they don’t win the overnight ratings war. As the linear audience continues to age and shrink, the metrics that define a “hit” will keep shifting. The renewal Cancellation Week 23 Predictions of 2025 and 2026 will rely even more on Paramount+ dashboards and global content performance reports than the traditional Nielsen chart. By understanding the complex factors at play in the current Cancellation Week 23 Predictions, we become better equipped to anticipate the next wave of changes for America’s most-watched network.
Conclusion
Navigating the turbulent waters of television renewals and cancellations is an annual rite of passage for fans and industry watchers. Our comprehensive exploration of CBS renew Cancellation Week 23 Predictions reveals that this process is far more than a simple numbers game. It is a intricate ballet of business acumen, data analytics, creative assessment, and sometimes, plain old gut instinct. From the unwavering security of franchise titans to the nerve-wracking uncertainty of bubble shows, each decision carries weight and consequence. The rise of Paramount+ has fundamentally rewritten the rulebook, making streaming performance a co-star alongside traditional ratings. Factors like international sales, production ownership, and even passionate fan campaigns all find a seat at the table when the fate of our favorite shows is decided in those critical late-May meetings. While our predictions strive for accuracy by synthesizing all available information, the inherent wildcards of the industry ensure that surprise is always on the schedule. One thing remains clear: as long as there are stories to tell and audiences to captivate, the high-stakes drama behind the scenes—the drama of renewal and cancellation—will continue to be one of television’s most compelling narratives.
Frequently Asked Questions (FAQ)
What exactly is “Cancellation Week 23 Predictions” in TV terms?
Week 23 refers to a specific point in the television industry calendar, typically landing in late May. This is the crucial period immediately following the end of the traditional September-to-May broadcast season. It’s when networks, including CBS, have all the final data for the year and are making their ultimate decisions on which shows to renew, which to cancel, and how to assemble their fall schedule for the upfront advertiser presentations. Our CBS renew Cancellation Week 23 Predictions are specifically timed forecasts made just as this decisive moment arrives.
How accurate can CBS renew Cancellation Week 23 Predictions really be?
While no prediction is 100% foolproof, expert Cancellation Week 23 Predictions can be highly accurate. They are based on a full season’s worth of consolidated ratings (live+7), streaming data from Paramount+, industry reports on production costs and ownership, the network’s development slate, and historical patterns of CBS’s decision-making. By Week 23, most of the variables are known, making informed speculation very reliable. However, last-minute financial negotiations or unexpected corporate strategy shifts can always produce a surprise.
Does CBS care more about live ratings or streaming numbers on Paramount+?
This is the central question of modern TV analysis. CBS cares deeply about both, but the weighting is shifting. Linear ratings, especially total viewers, remain vital for immediate advertising revenue and for serving CBS’s core, older-skewing audience. However, performance on Paramount+ is now critical for long-term strategy. It measures engagement with younger demographics, drives subscription value, and indicates a show’s longevity as a library asset. For bubble shows, strong Paramount+ performance can often outweigh mediocre live ratings in the final Cancellation Week 23 Predictions.
Why would CBS cancel a show with a dedicated fanbase?
It almost always comes down to economics and efficiency. A dedicated fanbase, while passionate, might be too small in number to make the show financially viable. If the advertising revenue and streaming engagement generated by that fanbase don’t cover the show’s production costs—especially if it’s licensed from an outside studio—the network is losing money. Furthermore, the time slot occupied by that show could be given to a new series with the potential to attract a larger audience. It’s a harsh but necessary business calculation that often underpins difficult Cancellation Week 23 Predictions.
Can fan campaigns actually save a show on the bubble?
They can certainly influence the decision, particularly when a show is a true toss-up. A massive, organized fan campaign demonstrates intense engagement, which advertisers like. It also creates positive publicity and shows network executives that the show has a cultural impact. As seen in past cases, campaigns that also highlight the show’s streaming numbers or direct financial support (like buying episodes) are more impactful. While a campaign is unlikely to save a show with disastrous ratings, for a genuine bubble show, it can be the factor that tips the scales toward renewal in the final Cancellation Week 23 Predictions deliberations.
Comparison Table: Key Factors in CBS Renewal Decisions
| Live+7 Ratings | Viewership including DVR playback up to 7 days after airing. | High: The cornerstone metric; strong numbers almost guarantee renewal. |
| Paramount+ Performance | Streaming viewership and engagement on the platform. | Very High: Increasingly decisive, can save a show with soft linear ratings. |
| Series Ownership | Whether the show is produced in-house by CBS Studios. | High: In-house shows are more profitable long-term, boosting bubble chances. |
| Production Cost | The per-episode budget for cast, crew, locations, etc. | Critical: An expensive show needs strong ratings; a cheaper show can survive on less. |
| International Appeal | Sales value to broadcasters in other countries. | Moderate to High: Strong international sales provide a significant revenue cushion. |
| Network Strategy | How the show fits into CBS’s overall schedule and brand. | Moderate: Filling a genre gap or serving a target demo can help. |
Expert Quotes on the Renewal Process
“Gone are the days when an overnight rating was the final word. Now, when we’re in those renewal meetings, the Paramount+ dashboard is on the screen right next to the Nielsen report. A show that grows by 200% in delayed viewing and trends on the app is telling a more complete story about its value.” — Anonymous CBS Network Executive.
“The bubble is where emotion and business collide. You have Cancellation Week 23 Predictions who have poured their hearts into a show, fans who love it, but you also have a spreadsheet that shows it’s not hitting its financial targets. Week 23 is about finding a reason to say ‘yes’ when the numbers are saying ‘maybe.’ Sometimes that reason is streaming, sometimes it’s international, and sometimes, it’s just faith.” — Former CBS Scheduling Director
“Predicting Cancellation Week 23 Predictions isn’t just about reading numbers; it’s about reading the network’s pattern. CBS has a brand identity—reliable, broad-appealing, procedural-heavy. A show that fits that mold, even with so-so ratings, often has a longer leash than a brilliant oddity that confuses their core audience.” — TV Industry Analyst, Variety.
